The Photographic Eye: Geometry, Cinema, and Collective Memory

A shot is never entirely our own; it is part of a collective visual memory. From Luigi Ghirri’s symmetry to the icy atmospheres of *Fargo*, inspired by Alec Soth, we explore how the great masters of photography dictate the visual rules of cinema. An analysis of visual education to learn how to look at the world—and not just frame it.

Our reporting course is back!

On January 9, 2022, our photojournalism course taught by Marco Sconocchia—a young but experienced photojournalist whose work has appeared in magazines and newspapers such as La Stampa, La Repubblica, Sette, Venerdì di Repubblica, Vice, The Guardian, 6mois, The Independent, The Sun, El País, National Geographic, and many others—will resume. At Daylight, we care deeply about…