Saul Leiter and the Idea of a Sideways Gaze

A technical analysis of Saul Leiter’s poetics: visual subtraction, the non-descriptive use of color, and the rejection of transparency in street photography. Discover how the photographer uses reflections, matte surfaces, and off-center compositions to transform the recording of reality into a suspension of perception. An educational feature by Daylight School, a photography school in Rome

Street Photography Instructors in Rome: Valeria Tofanelli | Daylight School

Valeria Tofanelli, a documentary photographer with the international collective Burn My Eye, teaches street photography and storytelling courses at the Daylight School. Through hands-on sessions and meticulous editing, students learn to work with colors, shadows, and urban geometries to create compelling visual narratives. Discover the educational approach of one of the most dynamic photography schools in Rome.

Perry Hall: The Heart of Street Photography in Rome

A documentary photographer and co-founder of Daylight School, our photography school in Rome. Perry Hall teaches street photography in its rawest form: spontaneous shots, direct flash, and no filters. From the streets to international publications, discover his approach in our workshops in Pigneto.

The 35mm Dictatorship: Why You Should (Maybe) Choose It Over the 50mm for Urban Photography

The 50mm is a true classic, but if you want your urban reportage to pulsate with the raw, in-your-face energy of a Rolling Stones song, the 35mm is the ultimate lens. Discover why a wide-angle lens forces you to “step into” the action and how the great masters use it to capture the street. An unfiltered technical guide by Daylight School, a photography school in Rome.