In this age of “everything, right now,” there are those who have decided that the only true revolution in street photography is reclaiming one’s own time. This is certainly true of Simone Morelli, the subject of a new interview by Marco Sconocchia featured in the pages of Artribune.
In a world dominated by the frenzy of social media and the pressure to post, Morelli’s words refocus our attention on what really matters: human relationships. His approach marks a return to genuine connection, far removed from those digital dynamics that he himself perfectly describes as “seeing but not touching.”
This need for tangibility is fully reflected in his love for analog photography. The physicality of film, the anticipation, the meticulous study of contact sheets: all elements that—as he explains in the interview—have helped him rein in his instincts and construct long-form narratives, lending weight and purpose to every single shot.
There’s a passage in the article that really hits the mark: “I think photography is our great lie, but it can also reveal great truths.” It’s a reflection that speaks to the heart of anyone searching for their own voice—an invitation to stop chasing after other people’s aesthetics and instead seek out one’s own expressive urgency.
Often, those looking for photography schools in Rome do so with the idea of wanting to learn the technical aspects first and foremost. But the truth is that camera settings can be learned quickly; it’s the photographic eye that requires time, dedication, and, indeed, patience.
Take five minutes to read the full interview on Artribune. And if you feel like diving deeper, checking out some real analog prints, and discussing them in person, there’s always room at Daylight School for a coffee and a conversation about what it really means to live on the street.
Read the interview with Simone Morelli
